Much willpower, and it has to be done, deservedly, prepared by this great Disney movie Raya and the last dragon: A fictional world drawn from a variety of Southeast Asian cultures.
For a company that has been anchoring many stories in the same kingdom of European fairy tales in general since 1937 (the most recent was in 2010 IntertwinedIt’s yet another in a long-awaited series of steps toward making the world depicted on screen look more like a world away from it. That’s a lofty goal, and a flawless good thing – but of course it also happens to be good for Disney’s earnings. Children long to see themselves on screen; More representation of different cultures means more children can benefit directly from the disturbing excitement that white children have seen for decades. At the national and global levels, this means more enthusiasm in seats (real or virtual).
Moreover, the setting specified for Ria A land divided into five countries – likely to allow a degree of privacy, regarding the separate cultural milieu of Southeast Asia. And privacy, of course, is what seals the deal. It is the cultural details observed and intentionally posted that change the general and abstract concept of A representation on the screen To live, vivid stories with the power to reach us and make us feel that our experiences are not only valid and worthy, but have the power to inspire others who may not share these experiences.
But Disney will, in the end, work out for Disney. This is a company with a long history of introducing different cultures in its narration, Cuisinart, both Maori and Polynesian (Moana(Or Swedish, Scandinavian, Danish and Icelandic)Frozen(Or … basically, all of Europe)Snow White, Cinderella, Sleeping Beauty, Beauty and the Beast, Tangled). The fundamental difference, of course, is that the mix of European and Scandinavian cultures is dense on the ground, while images of Southeast Asian culture (s) in the American media are still few and far between. So it’s frustrating, if not entirely surprising, to see some Less than excited Interactions From the critics Of Southeast Asian descent, ranging from the film’s broad power bar approach to the five countries it portrays (a little Muay Thai here, a Vietnamese floating market there, some Indonesian architecture there, etc.) to the fact that much of the main soundtrack consists of Representatives from East Asia. Disney needs to get better at this, and those who know, who are criticizing from within the home, offer them a powerful and actionable way forward.
this thing Raya and the last dragon Despite this, it seems to be clearly and unmistakably right: the Disney princess was a flawed heroine.
Quick Test, Hotspot: What was the hallmark of Cinderella? belle? Ariel? Rapunzel?
Are you saying “I want more than this” of their longing and determination? wrong. This is an opening song, a statement of principles, not a personal one.
Here’s the answer: They had no personalities. No inner life. There are no conflicting motives. And this – combined with their femur and esophageal body structures, and their eyes so large that they could be creatures that evolved to life in bottom caves – is what makes them appear so flat, one noticeable and negative.
Raya, exquisitely voiced and witty passion by Kelly Marie Tran, is a Disney princess, technically speaking: she’s the daughter of boss Binga (voiced by Daniel Day Kim) in a land called the Heart. But she’s so much more than that – she’s a fighter, for one reason (the movie’s many fight scenes are dramatically designed). And it’s another thing, something a Disney princess hasn’t been before: It’s complicated.
Specifically, she has confidence issues. grown ups. This makes sense, given that it was a sudden but inevitable betrayal that launched the glorious fetch mission that shapes the film’s plot.
If you don’t pay strict attention during Raya’s opening monologue, you’ll miss a lot, so here’s the gist: Earth was once whole and good and inhabited by (her dragon?) A lot of dragons, but then some purple cloud monsters came and turned everyone into stone. The last remaining dragon, named Sisu, unleashed a mighty power from a Spherical Gem, which dislodged the purple villains, but vanished in the process. In the aftermath, the people split into five warring states, mutually suspicious of the various parts of the dragon – talon, fang, backbone, tail and heart. Five hundred years later, an attempt at peace talks shattered the Dragon Gem into five pieces. Raya and her cute little friend / Tuk Tuk Mountain set out to find Sisu and reclaim the Five Pieces, reuniting the land and people in the process.
From that playing field, you can probably discern the basic mechanics of RiaThe game’s plot consists of the standard fictional epic starter set. Where the movie comes brilliantly alive in detail: the picturesque landscapes, bustling cities, the soundtrack of Okwafina as Sisu, the funny contributions of a badass little kid (no spoilers, but trust me), and the friendship between Sisu and Raya, who serve the plot. Even if you allow the breathing room to exist by itself.
But back to Ria’s confidence issues: the film cleverly establishes them in her reality as much as her psychology – it’s the fact that her cautious, suspicious nature perfectly fits the dark, fallen world around her, and that Sisu’s sunny and optimistic gaze makes the results worse again and again. A less linear movie will find a faster way to Raya finally realizing what is good in others, but the script continues to be put on hold, exploring what goes through, in a Disney animated movie, for the sake of nuances.
It is her flawed nature that makes Rhea the most convincing, sympathetic, and most diverse Disney princess in the company’s long history – and what makes Raya and the last dragon Best Disney Animated Film in Many Years.